Showing posts with label short fiction. Show all posts
Showing posts with label short fiction. Show all posts

Wednesday, 17 March 2010

Why Don Pedro Drinks by José Marín Cañas Translated by Gilbert Alter-Gilbert

Why Don Pedro Drinks
by José Marín Cañas
Translated by Gilbert Alter-Gilbert

Nobody had any idea, until that night, what made Don Pedro drink. Don Pedro was a very picturesque gentleman who affected extravagant airs. He sported oversized collars and cravats in the absurdest of colors. But the truth about this grandiose fop was that he drank and, at times, in a manner immoderate and obstreperous.

Don Pedro’s flaw was an infantile and harmless conceit. The poor old sot had an atrociously fecund musical bent, and he composed waltzes, minuets, rigadoons, fox trots, marches, one steps, and other various popular pieces and, what is more, penned poetry in a calligraphic style reminiscent of Crispulo Elizondo: he delighted in exorbitantly cursive script, and he dashed off lyrical petitionary missives as accompaniments to his waltzes, polkas and other trifles – all dedicated to Senora de Fernandez, de Benitez, or de Oconitrillo, and delivered right under the noses of their husbands who stood there alongside them in their yellow shoes and ugly cashmere sweaters like big, dumb schoolboys dressed by their mothers.

That was how Don Pedro lived.

"I enrich the art of music," was all he would say in a fierce tone, when he overheard the wisecracks of some loudmouthed know-it-all, in an attempt to deflect further gibes and snipes. "There will come a day," said Don Pedro, "when my name will resound throughout the four corners of the globe along with those of Verdi, Wagner, Donizetti, and Cavallini." (Don Pedro had a queer mania for believing that Cavallini was the name of a composer, and no one pointed out to the poor man that this name belonged to a watchmaker.)

Then someone asked, "Why do you drink?"

"I am not a weakling like you," he retorted. "I drink because I want to. Yes, gentlemen. Are you listening? Because I want to. I hope my answer doesn’t disappoint you, but there are no sad stories to tell. I’m not shameless like you, you sorry riffraff! Any of you who thinks otherwise is scum! You hear me? That's why I drink. Yes, Perez! Because it cleans my kidneys. Have you got that, you assholes? Would you like me to tell why your girlfriend left you, or why your wife went with somebody else, or what kind of books they pollute themselves with? Assholes! I drink because I want to!"

In the face of such flaming oratory, no one dared interrupt.

"Alright, alright, Don Pedro, don’t get worked up."

The poor old man sat down and cooled off, thanks to the ministrations of one of the more compassionate regulars. Then, after awhile, he thrust his hand into his satchel and removed some sheets of music. Amongst all the other muck he dredged up from the unfathomable depths of his pockets, was a little photograph smudged and blotted by filth and age.

"Eh, Don Pedro, who is that?"

"My little boy, my son," he said quickly and guardedly.

"Eh, Don Pedro," Perez spouted, "This son of yours, where is he, anyway? How come we never heard about him before? Do we look like we just rode in on camels? This is a gag, right?"

"Where is he? Where is he, you imbecile? He's over there." And he pointed, ferociously, forbiddingly, his arm stiff, his eyes fixed.


* * *


Don Pedro's inexorable finger was outstretched towards the gloomy silhouette of the distant graveyard.
 

I took this from A Journey Round My Skull. An amazing blog. Check it out.

Tuesday, 9 February 2010

Performing Stories


Lately, I've been thinking a lot about what literature works as written versus spoken or performed. In many ways the written word is harder. A good story teller can use all the cues bred into us for thousands of years as social animals to cover weak writing with the slightest flick in inflection. It's amazing to see. I'm rather jealous of comedians who seem have that story-telling ability built into their craft. Find a comedian with a talent for literature and you have a truly dangerous man on your hands1.
Rarer is the writer who can make those perfect phrases, sentences, paragraphs march about the room bullying strangers to care about them.

1See above video for an example.

Tuesday, 2 February 2010

... You got illustration in my short story. Two great tastes that go together.

Jonathan Williams's illustration is pitch perfect for Kate Clanchy's short story "The Not-Dead and The Saved."

 

Friday, 1 January 2010

New Year's Resolutions are for Suckers

Mine is to keep track of all the amazing things humans are capable of making.

Let's start it off with Edwidge Danticat’s “Water Child” as read by Junot Diaz.